Psychological Art Circus debuted with an itinerary that began in L'Académie Fratellini, Paris and concluded precisely two years later at La Convención Latina de Circo, Bogotá. Using the seminal Anna O. case history as its script, an international troupe devised an evolving "Private Theatre" of acts in balance, projection and object manipulation.
Based on Olive Pixley's Spiritual Journey, Human Document was an audio-driven mix of mime and aerial extensively road-tested throughout London and Iberia before its première in 2009 at the Underground Theatre Festival in Arad. The show notably went on to play the New Circus Festival in Zagreb and sell out Wilton's Music Hall and Stratford Circus in London.
Presented at St Georges Circus in London, Illusions of Reference was the epic conclusion of a project solicited by Arts Council England to make use of a defunct double-decker. Animated by psychedelic scenography and inhabited by a headless enigma, Illusions was an Olympian quest to revivify a dead bus with the dramaturgy of Delphi.
PAC, HD & IoR posters: Harald Smykla
HD UK tour management and IoR production: Irini-Mirena Papadimitriou
IoR event management: Lucy O'Regan and marketing: Francesca Brooks
All shows had support-in-kind by way of very generous development time at Area 10 Project Space Peckham, courtesy of the London Borough of Southwark. Human Document had a Freedm Studio R&D residency at Roundhouse in 2008 and the Arts Council of England supported its 2010/11 UK tour. Illusions of Reference was project-funded by Arts Council England and received venue hire support-in-kind from Southwark Council.
A Brief History
The first Psychological Art Circus troupe members came together while developing their work at the former Area 10 Project Space in Peckham, London. The company was incorporated in 2004 by Myles Stawman with Lina Jungergård and Christelle Lafille alongside co-founding members Harald Smykla, Andrea Meneses Guerrero, Edgar de Oliveira, Dagmara Bilon and Marta Angelozzi.
Aside from the creation and international touring of original work through its eight years of existence, the company acted as producer to core troupe members and associate artists for the showcasing of their work. Grants from Arts Council England enabled six new performance commissions under the umbrella of the Obus project, and two Homo Ludens Cabarets by the Sawmill Collective.
Emily Druiff, Dimitri Launder, Anila Ladwa, Adrian Fisher, Luna Rojas Montenegro, Dani d'Emilia, Yoshi Imamura, Łukasz Gargala, Alon Ramage, Jon Roome, Suzy Adderley, Beth Elliott, Paula Roush, KISSS, Kevin Leahy, Louise Venn, Scènes de Cirque, Exploding Cinema, L'Imprimerie, Circle Community, Sunčica Remenar, Autonomni Kulturni Centar Attack, Vlaamse Mime Federatie, Muro de Espuma, Guerrilla Zoo, Mad Chicks, Bermondsey Artists Group, Amanda Rodgers, Index Arts, Violaine Bailleul, Jorge Delgado, Animasur, Lucia Marques, Jorge Rocha, Cultural Centre of Lagos, Chapel Project, Collision, Victoria Frolova, Casa de Cultură a Municipiului Arad, Ivan Kralj, Mala Performerska Scena, Clifftown Theatre, Adrian Berry, Frances Mayhew, Rae Boswell, Paula Van Hagen, Tania Wilmer, Spyro Kotsaftis, Manuel Vason, Madalena Pinto, Boom Festival, Jaime Valtierra, Loz Buzzard, Virginia Fernandez de Gamboa, Antigone Mavridou, Geneva Foster Gluck, Chelsey Johannsen, Meline Danielewicz, Astra Beck, Maia Sambonet, Ossian Jungergård, Krystian Godlewski, Kamil Piotr Adamus, Magdalena Tuka, Sandro Spanu, Ágnes Czérna, Janeina, Shantalle, Chiara, Leila Jones, Lucy Bramley, Old Lambeth Fire Station, John Carroll at La Gare, Marigny le Cahouët, every helpful venue technician along our way, and all the wonderful volunteers for our own events. Special thanks to Linda Dobell, Pim Conradi
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